![]() brings shocks and adjustments to the industry itself. But the lack of a real emotional journey suggests 'all gloss and no substance', and ultimately prevents the movie from being truly great. When people watched the '3D, 4K, 120 frames' screen of Ang Lee's movie 'Gemini Killer' in the theater, the history of movie screening has been like the train of the Lumiere brothers, passing IMAX, giant Screen, 4D and other landmarks. The Aviator is a perfectly realized recreation of the era and one well worth experiencing. Ultimately then, much like Gangs of New York, The Aviator is simply the sum of it's parts, and however brilliantly those parts are realized, there doesn't seem to be a bigger theme to underpin and drive them. Considering the screenplay was written by John Logan, who usually displays a keen interest in showing the emotional evolution of his characters, the oversight is inexplicable. We're never told how his experiences change him, and without change there's no journey. ![]() What was the drive of The Aviator? A rich guy recklessly spends lots of money to indulge his personal obsessions and gets away with it. ![]() Without wanting to sound like a film student, movies should, ultimately, be ABOUT something love, honor, courage, redemption, the BIG ideas and themes that are the fuel of the plot. And yet, despite the obvious talent of all those involved and Scorsese's ability to effortlessly fill three hours, something about The Aviator fails to completely satisfy. Alda, one of the most consistently underrated actors around, delivers another masterclass in restrained character building as he oozes ambition and political dishonesty from every pore. Blanchett's interpretation of Katherine Hepburn seems spot on, and anyone familiar with the late actresses mannerisms will appreciate the hard work that clearly went into the recreation. Importantly, DiCaprio more than holds his own when paired with Cate Blanchett and especially Alan Alda, who both give equally note worthy performances. Despite the criticism of the hardcore DiCaprio-haters, the unprejudiced will observe an excellent performance that takes genuine risks and convincingly conveys the passing of more than twenty years. With such a perfectly realized world in which to perform, the actors universally do an outstanding job. Who wouldn't want to visit THIS Cotton Club in 1935? It's hard to imagine who could trump the technical team for Oscars this year. Their efforts combine to create a world of rich and lavish color, of excitement and glamour. The direction, editing and cinematography are all the first-rate work by individuals who are clearly masters of their profession and the production design, costumes and makeup are the best you'll see all year. Mason Lee, who is 32, has appeared in “Billy Lynn’s Long Halftime Walk” and “The Hangover Part II.” He most recently starred in the Taiwanese romantic comedy “Stand By Me,” Hong Kong drama “Limbo” and “Who Killed Cock Robin.Scorsese has such an encyclopedic knowledge and understanding of cinema that every shot, however inventive and daring, is effortlessly composed. “All of us at Sony and 3000 Pictures are proud to help Ang and his filmmaking team create what we believe will be an extraordinary theatrical event.”Ī decorated filmmaker, Ang Lee’s movies have scored at the box office in addition to collecting several Academy Awards: including four for “Life of Pi,” three for “Brokeback Mountain” and two for “Crouching Tiger, Hidden Dragon.” His other credits include “Sense and Sensibility,” “Hulk,” “Lust” and “Billy Lynn’s Long Halftime Walk.” “’Bruce Lee’ is a longtime passion project for Ang and a deeply emotional story depicting the triumphs and conflicts of one of the foremost real life action heroes of our time,” Gabler said. The still-untitled film reunites Lee with Gabler, Paiva and Sony Pictures chairman Tom Rothman after working together on 2012’s Oscar-winning adventure drama “Life of Pi.” Elizabeth Gabler and Marisa Paiva are overseeing the project for the studio. Lawrence Grey, Shannon Lee, Ang Lee, Ben Everard, and Brian Bell will serve as producers. “I feel compelled to tell the story of this brilliant, unique human being who yearned for belonging, possessed tremendous power in a 135-pound-frame, and who, through tireless hard work, made impossible dreams into reality.” “Accepted as neither fully American nor Fully Chinese, Bruce Lee was a bridge between East and West who introduced Chinese Gung Fu to the world, a scientist of combat and an iconic performing artist who revolutionized both the martial arts and action cinema,” Ang Lee said in a statement. From film to 4D giant screen, can Ang Lee promote the change of film projection technology 18:30:24 1412.
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